Supporting Cumulo
Every contribution strengthens our foundation as we build toward our 2026 premiere.
Every contribution strengthens our foundation as we build toward our 2026 premiere.
Instructions for tax-deductible donations below
Help make our goal of $30,000
Running Thu–Sun / Nov 13–16
For this campaign, we’re asking for $30,000—that’s about half of the money it will take to fund our workshop run, and a third of our total production cost. The majority of the money we raise will go to paying a fair wage to our performers and designers & to securing the theater space for our 2026 world premiere.
$25k directly to the show
$1,250 Indiegogo take
$1,000 transaction fees
$1,500 taxes
$1,250 Perks & Shipping
$30k total fundraising goal (34% of total production cost, 50% of workshop run cost).
All tax-deductible donations are being handled by 501c3 Concrete Temple Theatre, Cumulo’s fiscal sponsor. Here's how you can donate:
Click the button above to go to Concrete Temple Theatre's website
Enter the amount of your donation and preferred payment method
On the payment page, include "Cumulo / Emily Batsford" in the "Add special instructions to seller" section
Thank you for your interest in supporting Cumulo. We are so grateful for your support. Your donation will go directly towards paying our puppeteers and designers a living wage, the time and labor required to build our sets and puppets, and the composition of our original score.
See below for other methods of supporting our wonderful production.
Venmo: @Emily-Batsford
Zelle: efcbatsford@gmail.com
Make payable to: Concrete Temple Theatre
Memo line: Emily Batsford/Cumulo
Mail to: Concrete Temple Theatre, 211 East 14th Street #10, New York, NY 10003
Our current political climate feels like a ticking time bomb for queer artists. It’s hard to believe the next few years won't will send us all into our very own freefall. This work highlights the resilience of gender nonconforming individuals, and also offer a visual landscape to illustrate the mental and physical toll of existing in a world that is actively hostile to authentic identity.
Puppets have been a tool for activism for centuries. Unlike actors, who bring their own identity and expression to a role, puppets are neutral - they rely on gestures and movement, which invites audience members to fill in emotional and narrative gaps with their own interpretations, making the puppet’s story more personal. I hope audiences feel resonance in the wider experience of not belonging. As one of a small number of queer puppet artists in the field, I’m excited to contribute to the representation of queer stories and voices in American puppetry.